![]() ![]() The interval of 7 ⁄ 4 is 4.8 cents sharp in 53-TET, and using it for 7-limit harmony means that the septimal kleisma, the interval 225 ⁄ 224, is also tempered out. Because it tempers these out, 53-TET can be used for both schismatic temperament, tempering out the schisma, and Hanson temperament (also called kleismic), tempering out the kleisma. These are both 5 limit intervals, involving only the primes 2, 3 and 5 in their factorization, and the fact that 53 ET tempers out both characterizes it completely as a 5 limit temperament: it is the only regular temperament tempering out both of these intervals, or commas, a fact which seems to have first been recognized by Japanese music theorist Shohé Tanaka. The 53-TET tuning equates to the unison, or tempers out, the intervals 32805 ⁄ 32768, known as the schisma, and 15625 ⁄ 15552, known as the kleisma. ĥ3-TET is a tuning of equal temperament in which the tempered perfect fifth is 701.89 cents wide, as shown in Figure 1. This tends to be the more expensive option compared to using an already-created track, but if you have money to use, go for it.Musical tuning system with 53 pitches equally-spaced on a logarithmic scale Figure 1: 53-TET on the syntonic temperament's tuning continuum at 701.89, from (Milne et al. If you don’t know anyone who’s musically skilled, you can look up “custom podcast music” or “unique podcast music” at a site like to connect you with musicians. Ask a friend to create a song for you or create one yourself. You can also hire someone to create a song for you. Two resources to start are, which has a library of over 500,000 tracks, all of them tagged and categorized to make it easy to find what you want, and, which has a curated collection of stock music and also assists you with buying licenses to use music. Think of the classic We’ll be right back after these messages. Often paired with voiceovers, many broadcast shows use bumpers to transition from show to commercial and vice versa. ![]() “Attribution-free” music means you can use the music without mentioning the creator at all. Bumpers are short pieces of music usually lasting no longer than fifteen seconds and are used during intros, outros, and transitions. There are two main options to find podcast music:Ĭlips marked “ok to use with attribution” means that you can use the sample, but you need to give the creator credit for their work. When you’re putting music in your podcast, you need to make sure it’s music that you have the rights to use. Now that you know how to add music to your podcast, how do you find clips to use? Most songs on the radio are protected by copyright, which means that you can’t use the majority of popular music - not even a five second clip. As a bonus, if you’re cutting segments together that were recorded separately, segment change music can hide any difference in sound or audio quality. Segment change music works best for shows that have multiple parts that are clearly defined within one show. Segment change music signifies that you’ve finished one segment and are moving onto the next as music is an easy way to mark a transition. Most podcasts have at least intro and outro music, but some also incorporate segment change music, too. This will give the listener a feeling of closure, and they’ll know the episode is done. For outro music, you want to choose a song that is “slowly taking away sounds as the song closes out so by the end of the track it’s just the main melody,” says Craig. Frequently it’s played over the end credits or the last few seconds. Outro music is the track that plays at the end of the episode. ![]()
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